From Acoustic Guitar Magazine, February 1999, No. 74

Bear Claw | "Black Mountain Rag" | Bluegrass Repertoire | "Garry Owen" in Tab

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Bear Claw

QI recently purchased a new Taylor 814-C. Above the soundhole are two bear-claw figures in the wood, running from the edge of the top (under my arm) to the soundhole. Since the top is book-matched, shouldn’t the same markings continue on the other side of the soundhole? How do these markings affect the value and sound of the guitar?
Mark Suits
Greenview, Illinois

 AIn working with real-world wood, we find differences in book-matched top sections, where a figure simply stops inside the billet. Given that resawing causes us to lose anywhere from .046 to .065 of an inch of wood (that’s sawdust) and that we lose another .030–063 inches on each side when we sand, book-matched, solid-wood tops actually represent surfaces that are just over 3/32 of an inch apart from a perfect-sliced book-match (what you would find with wood veneers). And I’m talking absolute best-case scenario, with modern sawing and sanding equipment. Bear-claw figure is somewhat controversial. Europeans tend to hate it and severely downgrade this "aberration," while some American makers, such as Dana Bourgeois, love it and consider it very desirable. You bought it. What do you think?
—Rick Turner

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"Black Mountain Rag"

QWhere can I find the song "Black Mountain Rag" in tablature?
Thomas Drew<br>New Plymouth, New Zealand

A"Black Mountain Rag," a traditional tune often associated with Doc Watson, is available in a few different books as tablature. Warner Brothers offers Guitar of Doc Watson and Hot Country Guitar, and Music Sales carries Songs of Doc Watson. The song is also included in The Best Bluegrass Songbook Yet! (Music Sales), but it doesn’t include tab. Finally, Acoustic Guitar featured a transcription of the guitar duet featuring Watson and John Herald off the album Doc Watson: The Vanguard Years (Vanguard VSD 155-58) in the July 1996 issue.
—Teja Gerke

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Bluegrass Repertoire

QWhat are the top 20 songs every beginning bluegrass guitarist should learn?
Gene Connor<br>New York, New York

AWhile there are certainly a large number of bluegrass standards that every bluegrass musician knows, it would be more useful to learn songs that are likely to be popular with the musicians at your local jam session, and these will vary depending on where you are and who you’re playing with. For instance, a jam session of traditional bluegrass die-hards in the mountains of North Carolina will be very different from a picking party of bluegrass-crazed Deadheads in Colorado.

Your best bet would be to go to a jam session or two and just make a list of the songs that get played. Then learn those that you like, and you’re on your way. A couple of books can help you out, too. Steve Kaufman’s Bluegrass Guitar Solos That Every Parking Lot Picker Should Know, Vols. 1–4 (Steve Kaufman, [800] FLATPIK) is great for fledgling lead players, and Pete Wernick’s Bluegrass Songbook (Oak/Music Sales, [800] 431-7187) is an excellent collection of classic bluegrass songs.
—Scott Nygaard

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"Gary Owen" in Tab

QDo you know where I can find tab for the song "Garry Owen"?
John Kissell<br>Torrance, California

AI’ve seen a couple of nice tab versions of "Garry Owen." One is included in <I>The Guitar of Martin Simpson</I> (Accent on Music), and the other is in a Hal Leonard book called <I>Folk Songs,</I> which comes with a CD of all the tunes. Music stores that carry sheet music should have them.
—Teja Gerken

 

 

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