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CREATE: How to Make Ringtones (June 2008) How can I make my music available as ringtones? |
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TEACH: Happy Traum (June 2008) The Homespun Tapes founder discusses what it takes to produce a great video lesson. |
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GIG: Vocal Harmonizer Effects (May 2008) How to enhance your solo act with DigiTech's Vocalist Live 4. |
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RECORD: Jim Brunberg's Mississippi Studios (May 2008) How a former touring guitarist started a thriving performance venue and recording studio in Portland, Oregon. |
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CREATE: Songwriter Associations (May 2008) As a songwriter living outside of Nashville or LA, how might I benefit from joining a songwriter association? |
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TEACH: Teaching Group Workshops (May 2008) How do you deal with varying student skill levels in a workshop? Short FAQ story on how to handle multiple level players in a group workshop. |
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GIG: How to Gig with Multiple Instruments (April 2008) Three working pros explain how to switch between various styles of guitars during a show and still get great tone from each. |
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CREATE: Tax Tips for Working Guitarists (April 2008) Be smart about how you run your music business and you'll be a lot happier at tax (or audit!) time. |
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GIG: Wedding Gigs (March 2008) How do I find and prepare for wedding gigs? |
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RECORD: Choosing a Sampling Rate (March 2008) What are the advantages of recording with higher sampling rates (such as 48 or 96 kHz) when my project will be mixed to the CD standard of 44.1 kHz? |
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CREATE: Hands On (March 2008) A neurological disorder robbed fingerstyle guitarist Billy McLaughlin of the ability to play his instrument—here's how he's coming back. |
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TEACH: Interviewing Parents (March 2008) Seven key questions to ask before you teach a child's first lesson. |
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GIG: Save the Ears (February 2008) As a gigging acoustic guitarist, what do I need to know about hearing protection? |
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RECORD: Songs a la Carte (February 2008) How to sell songs on iTunes. |
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CREATE: Behind the Scenes (February 2008) How guitarist and composer Snuffy Walden creates the music for top TV series and films. |
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TEACH: How to Teach at Guitar Camps (February 2008) Teaching at a summer guitar camp can be a great way to add to your income. |
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GIG: House Concerts (January 2008) Fill out tour dates with house concerts. |
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RECORD: Moving in Stereo (January 2008) What are the advantages and disadvantages of recording acoustic guitar in stereo? |
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CREATE: Taking Notes (January 2008) What it takes to be a guitar music transcriber. |
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TEACH: The Noble Art: Eliot Fisk (January 2008) How Eliot Fisk shares his passion for guitar and the classical tradition. |
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GIG: Cover Your Assets (December 2008) Make sure your gear is properly insured for professional use. |
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RECORD: Home Studio Distinction (December 2008) How Nashville-based fingerstyle guitarist Pete Huttlinger makes great-sounding albums in his home studio. |
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CREATE: Public Domain Music (December 2008) How to tell if a song is public domain. |
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GIG: The Real-World Portable PA (November 2007) Nine hardworking musicians offer advice for choosing a gig-worthy rig. |
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RECORD: Make Excellent Budget Recordings (November 2007) Use budget gear wisely to get professional sound from home. |
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CREATE: Software for Songwriters (November 2007) We review three lyric-writing and composing software programs. |
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TEACH: Roots Teacher (November 2007) Teacher and author Fred Sokolow shares his love and knowledge of American traditions. |
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GIG: Cindy Cashdollar's Road Rules (October 2007) The tone-bar virtuoso and road warrior reveals her secrets for being a successful backup musician. |
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RECORD: Promoting Yourself and Your Music (October 2007) Well-written promotional material can make a time-consuming process easier. |
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CREATE: Tips for Songwriters (October 2007) Songwriter and workshop leader Paul Reisler offers tips on how to brainstorm and develop ideas for songs. |
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TEACH: Girls Rock at the Institute for Musical Arts (October 2007) June Millington's Institute for Musical Arts builds the chops and self-confidence of teenage campers. |
Got a question for Acoustic Guitar's editors? Please send us an email at editors.ag@stringletter.com or snail-mail Acoustic Guitar Editorial, PO Box 767, San Anselmo, CA 94979. We regularly print reader letters in our Mail column and reader questions and tips in Q&A.
