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Reviews: New Gear

R. Taylor Style Two Review (August 2008)
Walden T550 Review (August 2008)
Tascam DP-02 Review (August 2008)
Gibson Southern Jumbo True Vintage Review (July 2008)
Ibanez EWN28 Bubinga Review (July 2008)
Fishman Matrix Infinity Review (July 2008)
Zemaitis GZA-300 Heart (June 2008)
Yamaha CPX-500 (June 2008)
Bose L1 Personal Amplification System, Model II (June 2008)
Goodall Short Scale GC Review (May 2008)
Radial ToneBone PZ Pre Review (May 2008)
Timberline T30Ac Review (May 2008)
Washburn WB400SWK Acoustic Guitar Review (April 2008)
Lace LF-150SCE Flattop Steel-String Guitar Review (April 2008)
Roland AC-90 Acoustic Chorus Amp Review (April 2008)
First Act CG914 Review (March 2008)
Martin OMCRE Review (March 2008)
Collings O-1 SB Review (February 2008)
José Ramírez 125th Anniversary Model Review (January 2008)
Recording King RD-227 Review (January 2008)
Shadow Sonic Doubleplay Pickup System Review (January 2008)
Baden D-Style Mahogany Review (December 2007)
Takamine Flatpicker TF360SBG Review (November 2007)
Guild CV-1C Review (October 2007)
Composite Acoustics GX Performer Review (September 2007)
Larrivée PV-09 Review (August 2007)
Taylor GC7 Review (July 2007)
Bourgeois DBJ-C (June 2007)
Walden G570 (May 2007)
Stonebridge Fingerstyle G-23-CR (April 2007)
Yamaha CPX900 (March 2007)
The Loar LH-500 Acoustic Archtop (February 2007)
Martin M-42 David Bromberg (January 2007)
Parker P8E (December 2006)
Gibson CJ-165 (November 2006)
Alvarez-Yairi Masterworks DYM95C Aura (October 2006)
National Reso-Phonic 14-fret Style O (September 2006)
Larrivee LSV-11E (August 2006)
Santa Cruz Vintage Southerner (July 2006)
Taylor GS Flattop (June 2006)
Johnson JD-26 Dreadnought (May 2006)
Ibanez EW20ASENT Acoustic-Electric (April 2006)
Epiphone AJ-500RC 12-Fret (March 2006)
Ramirez S1 Classical (February 2006)
Durango B-46 Slope-Shoulder Dreadnought (January 2006)
Tanglewood TW15-N-NS Dreadnought (December 2005)
Taylor 710 CE-L9 Short-Scale Dreadnough. (November 2005)
Takamine TC135SC Nylon-String (October 2005)
Alvarez RF20SM Regent Folk Steel-String (September 2005)
Fender ESD-10 Dreadnought (August 2005)
Mighty Tones (February 2003)
Rainsong OM-1000 (February 2002)
Boom Chuck (November 2001)
Six Pickups (September 2001)
Ovation Adamas SMT (August 1998)
Jam-Along Software (June 1998)

R. Taylor Style Two Review (August 2008)

A review of the luxurious new, smaller-bodied guitar from Bob Taylor's boutique workshop. With video. Return to Top

Walden T550 Review (August 2008)

Review of a compact travel guitar that's a blast to play—even when you're not out on the road. With video. Return to Top

Tascam DP-02 Review (August 2008)

We review an easy-to-use digital recording system that delivers a wealth of creative possibilities. With video. Return to Top

Gibson Southern Jumbo True Vintage Review (July 2008)

A modern re-interpretation of the legendary J-45's fancier cousin combines vintage looks, fat tones, and modern playability. With video. Return to Top

Ibanez EWN28 Bubinga Review (July 2008)

We review a striking hybrid for guitarists seeking an easy transition to nylon-strings. With video. Return to Top

Fishman Matrix Infinity Review (July 2008)

A look at the latest version of Fishman's popular after-market pickup system. With video. Return to Top

Zemaitis GZA-300 Heart (June 2008)

Brit-rock’s original boutique brand delivers a toneful, silky, and flashy flattop. With video. Return to Top

Yamaha CPX-500 (June 2008)

The latest Compass series flattop puts a great playing acoustic-electric guitar in reach of working musicians. With video. Return to Top

Bose L1 Personal Amplification System, Model II (June 2008)

Innovative PA packs a punch and great range for acoustic performance situations. With video. Return to Top

Goodall Short Scale GC Review (May 2008)

Top-shelf craftsmanship and playability in a Grand Concert brimming with rich, lustrous tones. With video. Return to Top

Radial ToneBone PZ Pre Review (May 2008)

Dedicated acoustic instrument preamp lends superior control over amplified signal in a top-quality stompbox. Return to Top

Timberline T30Ac Review (May 2008)

Clean construction and mellow tones in an affordable, auditorium-sized fingerstyle guitar. Return to Top

Washburn WB400SWK Acoustic Guitar Review (April 2008)

Contemporary interpretation of an antique acoustic guitar body style stakes out unusual sonic territory. With video. Return to Top

Lace LF-150SCE Flattop Steel-String Guitar Review (April 2008)

A buttery-smooth and versatile steel-string flattop guitar from the pickup specialists at Lace Music Products. With video. Return to Top

Roland AC-90 Acoustic Chorus Amp Review (April 2008)

Easy-to-use acoustic-guitar amp captures organic tones in a feature-rich package with power to spare. With video. Return to Top

First Act CG914 Review (March 2008)

Stage-ready auditorium-size flattop delivers contemporary tone at an affordable price. With video. Return to Top

Martin OMCRE Review (March 2008)

Babicz adjustable neck transforms a proven Martin design into an uncommonly versatile guitar. With video. Return to Top

Collings O-1 SB Review (February 2008)

Small-bodied beauty delivers big-time tone and top shelf attention to detail. With audio examples. Return to Top

José Ramírez 125th Anniversary Model Review (January 2008)

The Spanish guitar builder celebrates its 125th anniversary with a limited-production student model. With audio examples. Return to Top

Recording King RD-227 Review (January 2008)

An affordable vintage-style dreadnought that is well suited to performance and recording. With audio examples. Return to Top

Shadow Sonic Doubleplay Pickup System Review (January 2008)

Tone-shaping versatility without major modifications to your instrument. With audio examples. Return to Top

Baden D-Style Mahogany Review (December 2007)

Modern style, effective electronics, and a versatile voice come together in a contemporary dreadnought. With audio examples. Return to Top

Takamine Flatpicker TF360SBG Review (November 2007)

Crisp tones and solid electronics make this guitar a versatile flatpicking and songwriting tool. With audio examples. Return to Top

Guild CV-1C Review (October 2007)

Combining a classic body style with innovative new features, Guild delivers a great-sounding grand auditorium. Return to Top

Composite Acoustics GX Performer Review (September 2007)

Intelligent application of carbon-fiber construction yields an exceptionally playable and sweet-sounding grand auditorium. Return to Top

Larrivée PV-09 Review (August 2007)

Contemporary design features and outstanding electronics come together in a beautiful parlor guitar that doesn't sacrifice tone or playability. Return to Top

Taylor GC7 Review (July 2007)

Following the success of its GS series, Taylor applied similar concepts to the mid-size GC7. The result: a stunning instrument with complex overtones and a broad, open voice. Return to Top

Bourgeois DBJ-C (June 2007)

A thoroughly contemporary fingerstyle guitar made in a small-shop environment. Return to Top

Walden G570 (May 2007)

Handsome sunburst cedar top delivers three-dimensional tone and responsiveness at an attractive price. Return to Top

Stonebridge Fingerstyle G-23-CR (April 2007)

Built in Eastern Europe, this beautifully made flattop offers excellent value in a fingerstyle-friendly mini-jumbo format. Return to Top

Yamaha CPX900 (March 2007)

An attractive mini-jumbo that combines affordability, innovative electronics, and quality construction. Return to Top

The Loar LH-500 Acoustic Archtop (February 2007)

An affordable interpretation of the legendary L-5 archtop combines craftsmanship and crisp, cutting tones at the right price. Return to Top

Martin M-42 David Bromberg (January 2007)

The renowned flattop makers honor a folk-blues legend with a signature model and deliver an exquisite and exceptionally well-balanced M body. Return to Top

Parker P8E (December 2006)

After stirring up the electric guitar world with its radical design ideas a decade ago, Parker has now introduced a postmodern flattop with custom electronics to entice acoustic pickers. Return to Top

Gibson CJ-165 (November 2006)

A gorgeous, small-bodied jumbo guitar with balanced tones and lots of power. Return to Top

Alvarez-Yairi Masterworks DYM95C Aura (October 2006)

A contemporary take on the dreadnought design. Return to Top

National Reso-Phonic 14-fret Style O (September 2006)

Sustaining treble, midrange spunk, and exemplary craftsmanship converge in a metal-bodied resonator with extra finger room. Return to Top

Larrivee LSV-11E (August 2006)

Graceful looks and balanced tones meet in a well-appointed fingerstyle guitar with irresistible playability. Return to Top

Santa Cruz Vintage Southerner (July 2006)

This immaculately built, incredibly responsive small-scale dreadnought boasts clear, balanced tones and is excellent for roots music and powerhouse strumming. Return to Top

Taylor GS Flattop (June 2006)

The company's first new body shape in more than ten years boasts hallmark playability but breaks the mold with thumping bass and a smooth, complex character. Return to Top

Johnson JD-26 Dreadnought (May 2006)

An all-solid-wood dreadnought that delivers vintage tone and feel—without breaking the bank. Return to Top

Ibanez EW20ASENT Acoustic-Electric (April 2006)

This flattop has exotic woods and versatile electronics. Return to Top

Epiphone AJ-500RC 12-Fret (March 2006)

Vintage vibe and complex tones come together in a dreadnought suited for fingerstyle. Return to Top

Ramirez S1 Classical (February 2006)

The celebrated Spanish masters' newest model boasts superior clarity, lightning-fast response, and robust volume. Return to Top

Durango B-46 Slope-Shoulder Dreadnought (January 2006)

An unbelievably great-sounding flattop with authentic vintage vibe and a price tag that'll make you flip. Return to Top

Tanglewood TW15-N-NS Dreadnought (December 2005)

A tastefully appointed solid-wood flattop with sparkling treble, stout mids, and deep bass. Return to Top

Taylor 710 CE-L9 Short-Scale Dreadnough. (November 2005)

A versatile hybrid charmer with vintage-dreadnought whomp, short-scale playability, and state-of-the-art onboard electronics. Return to Top

Takamine TC135SC Nylon-String (October 2005)

Warm amplified tones and a versatile setup make this a brilliant crossover guitar for steel-string players. Return to Top

Alvarez RF20SM Regent Folk Steel-String (September 2005)

A brilliant-toned bargain ax suitable for newbies or discriminating experts. Return to Top

Fender ESD-10 Dreadnought (August 2005)

An elegant and versatile debut from Fender's new Ensenada series. Return to Top

Mighty Tones (February 2003)

Eight Acoustic Amplifiers Reviewed. Return to Top

Rainsong OM-1000 (February 2002)

The latest developments in Rainsong's research produce an impressive small-body guitar. Return to Top

Boom Chuck (November 2001)

Ten top-flight $2,500 dreadnoughts put to the test. Return to Top

Six Pickups (September 2001)

Pickups from L.R. Baggs, B-Band, GHS, Pick-up the World, Schertler, and Seymour Duncan. Return to Top

Ovation Adamas SMT (August 1998)

Ovation's affordable acoustic-electric features a carbon fiber top. Return to Top

Jam-Along Software (June 1998)

Make your computer into a band. Return to Top

Sponsor: D'Addario Strings
EXP Coated Phosphor Bronze & 80/20 Bronze Round Wound Lasts 3X-4X Longer!



Sponsor: Ultrasound Amps
'Amplify your Life' ULTRASOUND premium acoustic amps. Best tone in the business.




Got a question for Acoustic Guitar's editors? Please send us an email at editors.ag@stringletter.com or snail-mail Acoustic Guitar Editorial, PO Box 767, San Anselmo, CA 94979. We regularly print reader letters in our Mail column and reader questions and tips in Q&A.




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